Kamis, 26 September 2013

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The New Sex Therapy: Active Treatment Of Sexual Dysfunctions., by HELEN SINGER. KAPLAN

  • Sales Rank: #17419773 in Books
  • Published on: 1973
  • Binding: Hardcover

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Senin, 23 September 2013

[W436.Ebook] Free PDF Childrens Birthday Cake Book ("Australian Women's Weekly" Home Library), by Australian Womens W

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This comprehensive collection contains more than 100 party cake recipes to choose from for that important birthday. Illustrated with colour photographs throughout.

  • Sales Rank: #439566 in Books
  • Published on: 1998-01-10
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 128 pages

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1 of 1 people found the following review helpful.
This is THE birthday book from my childhood
By Too Many Small Children
Oh my God, I remember this book from when I was little. My sister and I, both born in January, used to borrow it from my Aunty and spend hours poring over it discussing what cakes we could have. We were only allowed these cakes on "special" birthdays which, hmmmm, were only 2, 3, 4, 5 and 10. Not sure what that big gap in the middle was about, clearly we were deprived children. Anyway, this was THE book. And it still is in so many ways. My two year old took off with it as soon as it arrived and spent what seemed like hours (but was probably only a blissful 20 minutes) flicking through it. He quickly grasped that he could choose something for his third birthday and eventually decided on the rocket cake (balanced precariously on cardboard fins, great). It was delightful to see the magic transferring down a generation, which is why I give it such a high rating. It is now a bit dated though... I had forgotten that it's divided into "For Boys" and "For Girls" sections. Rather hilariously, the "For Girls" section contains a sewing machine cake, a sewing basket cake, a dressing table cake and, just when you think it couldn't get any worse, a stove cake(!). That aside, it's much more creative and exciting than the more modern edition and it also contains a lot of ideas to kick start your own creativity.

1 of 1 people found the following review helpful.
Wouldn't be a birthday without a cake from this book!
By MGEMM
Birthday Cakes from the "Australia Women's Weekly" book have been a feature of family birthdays for about 3 decades now, and my daughter's are using them for THEIR children's birthdays. There have been some spectacular fails, and some spectacular successes too. My children loved choosing their cake, which their Mum would make with every effort to mimic the one in the book. The recipes are easy, and the instructions are clear. Measurements are metric, of course, but are easy enough to adapt if you need to.

1 of 1 people found the following review helpful.
Cakebook Classic
By Pixy
This is the cakebook every Australian family had on the shelf in the 1980s. When you asked a kid what cake they were having for their birthday, they would just name a cake from this book. It comes from an era that predated the fondant/rolled icing perfection that seems so standard now. These cakes are creative artworks: rustic and querky. Decorations are made mostly with lollies and biscuits, so each slice is a taste adventure. This book is gold, and I am thrilled to have my new copy.

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[F807.Ebook] Ebook Download Smokin' Seventeen (Stephanie Plum), by Janet Evanovich

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Smokin' Seventeen (Stephanie Plum), by Janet Evanovich

Where there’s smoke there’s fire, and no one knows this better than New Jersey bounty hunter Stephanie Plum.

Dead bodies are showing up in shallow graves on the empty construction lot of Vincent Plum Bail Bonds. No one is sure who the killer is, or why the victims have been offed, but what is clear is that Stephanie’s name is on the killer’s list. Short on time to find the murderer, Stephanie is also under pressure from family and friends to choose between her on-again-off-again boyfriend, Trenton cop Joe Morelli, and the bad boy in her life, security expert Ranger. Stephanie’s mom wants her to dump them both for a former high school football star who’s just returned to town. Stephanie’s sidekick, Lula, suggests a red-hot boudoir “bake-off.” And Joe’s old-world grandmother gives Stephanie “the eye,” which may mean that it’s time to get out of town.

With a cold-blooded killer after her, a handful of hot men, and a capture list that includes a dancing bear and a senior citizen vampire, Stephanie’s life looks like it’s about to go up in smoke.

  • Sales Rank: #38817 in Books
  • Brand: Bantam
  • Published on: 2011-11-15
  • Released on: 2011-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.86" h x .90" w x 4.18" l, .36 pounds
  • Binding: Mass Market Paperback
  • 336 pages
Features
  • Great product!

Review
Praise for Janet Evanovich

“No less than her plotting, Evanovich’s characterizations are models of screwball artistry. . . . The intricate plot machinery of her comic capers is fueled by inventive twists.”—The New York Times

“[Evanovich’s novels are] among the great joys of contemporary crime fiction.”—GQ

“Chutzpah and sheer comic inventiveness . . . The Evanovich/Plum books [are] good fun.”—The Washington Post

About the Author

Janet Evanovich�is the #1�New York Times�bestselling author of the Stephanie Plum series, the Lizzy and Diesel series, twelve romance novels, the Alexandra Barnaby novels and Trouble Maker graphic novel, and�How I Write: Secrets of a Bestselling Author,�as well as the Fox and O’Hare series�with co-author Lee Goldberg.

Excerpt. � Reprinted by permission. All rights reserved.
ONE

My Grandma Mazur called me early this morning.

"I had a dream," Grandma said. "There was this big horse, and it could fly. It didn't have wings. It just could fly. And the horse flew over top of you, and started dropping road apples, and you were running around trying to get out of the way of the road apples. And the funny thing was you didn't have any clothes on except a red lace thong kind of underpants. Anyways, next thing a rhinoceros flew over you, and he was sort of hovering over top your head. And then I woke up. I got a feeling it means something."

"What?" I asked.

"I don't know, but it can't be good." And she disconnected.

So that's how my day started. And to tell you the truth the dream pretty much summed up my life.

My name is Stephanie Plum. I work as a bond enforcer for my cousin Vinnie's bail bonds office, and I live in an uninspired, low-rent, three-story, brick-faced chunk of an apartment building on the edge of Trenton, New Jersey. My second-floor apartment is furnished with my relatives' cast-offs. I'm average height. I have an okay shape. I'm pretty sure I'm averagely intelligent. And I know for sure I have a crummy job. My shoulder-length curly brown hair is inherited from the Italian side of the family, my blue eyes from the Hungarian side of the family, and I have an excellent nose that's a gift from God. Good thing he gave me the nose before he found out I wasn't the world's best Catholic.

It was early September and unseasonably hot. I had my hair up in a ponytail. I'd forgone makeup and opted for lip balm instead. And I was wearing a red stretchy tank top, jeans, and sneakers. Perfect clothes for running down bad guys or buying doughnuts. I parked my hunk-of- junk Ford Escort in front of Tasty Pastry Bakery on Hamilton Avenue and mentally counted out the money in my wallet. Definitely enough for two doughnuts. Not enough for three.

I parked the car and went into the bakery where Loretta Kucharski was behind the counter. Last year Loretta was vice president of a bank. When the bank went belly_up, Loretta got the job at Tasty Pastry. To my way of thinking it was definitely career advancement. I mean, who doesn't want to work in a bakery?

"What'll it be?" Loretta asked me. "Cannoli? Italian cookies? Doughnut?"

"Doughnuts."

"Boston cream, chocolate cake, jelly, lemon glazed, cinnamon sugar, blueberry, pumpkin spice, chocolate glazed, cream filled, bearclaw, or maple?"

I bit into my lower lip. I wanted them all. "Definitely a Boston cream."

Loretta carefully placed a Boston cream in a small white bakery box. "And?"

"Jelly doughnut," I said. "No wait! Maple. No! Either Maple or pumpkin spice. Or maybe the chocolate glazed."

The door to the bakery opened, and an old woman who looked like an extra out of a low-budget mafia movie marched in. She was small and wiry and dressed in black. Plain black dress, black scarf on her steel- gray hair, sensible black shoes, dark stockings. Snapping dark eyes under bushy gray eyebrows. Mediterranean skin tone.

Loretta and I gasped when we saw her. It was Bella-the most terrifying woman in Trenton. She'd immigrated to the States over fifty years ago, but she was still more Sicilian than American. She was devious and sly and possibly flat-out crazy. She was also my boyfriend's grandmother.

Loretta made the sign of the cross and asked the Holy Mother for protection. Considering my lack of church attendance I didn't feel comfy asking the Holy Mother for help, so I gave Bella a weak smile and a small wave.

Grandma Bella pointed a bony finger at me. "You! What you doing here?"

To say that my relationship with Grandma Bella was tenuous would be a gross understatement. Not only am I the harlot who, to her way of thinking, seduced and corrupted Joseph Anthony Morelli, her favorite grandson, but even more damning, I'm Edna Mazur's granddaughter. Grandma Bella and my Grandma Mazur do not get along.

"D-d-doughnut," I said to Bella.

"Get out of my way," Bella said, pushing me aside, stepping up to the counter. "I was here first."

Loretta's eyes were as big as duck eggs, darting back and forth between Bella and me. "Um," Loretta said, still holding the bakery box containing my Boston cream.

"Actually, I was here first," I said to Bella, "but you can go ahead of me if you want."

"What? You telling me you first? You dare to say such a thing?" Bella hit me in the arm with her purse. "You have no respect."

"Cripes," I said. "Get a grip."

"Christ? You say Christ?" Bella crossed herself and pulled her rosary beads out of her pocket. "You burn in hell. You gonna get smite down. Get away from me. I don't want to be near when it happens."

"I didn't say Christ. I said cripes."

"You heathen," Bella said. "Like your Grandma Edna. She should rot in hell."

Okay, so Bella was a crazy old lady, but that was going too far. "Hey, watch what you say about my grandmother," I said to Bella.

Bella shook her finger at me. "I put the eye on you. I fix you good."

Loretta sucked in air and ducked down behind the counter.

"I'm going to tell Joe on you," I said to Bella. "You're not supposed to be giving people the eye."

Bella tipped her head back and looked down her nose at me. "You think he believe you over his grandma? You think he believe you when you ugly with boils? You think he believe you when you fat? When you stink like cabbage?"

Loretta whimpered from behind the counter.

"Stay down," Bella said to Loretta. "You good girl. I don't want you to get in the way of the eye."

So here's the thing with the eye. I'm pretty sure it's a bunch of baloney. Still, there's the outside chance that Junior Genovisi didn't lose his hair from male pattern baldness. I mean no one else in his family ever went bald, and it happened right after Bella put the whammy on him. Then there was Rose DeMarco. She accidentally mowed Bella over with her motorized wheelchair, and the next day Rose broke out with shingles.

Loretta popped up, stuffed a bunch of doughnuts into the bakery box, and threw it at me. "Run for it!"

I caught the box and looked over at Loretta. "How many are in here? What do I owe you?"

"Nothing. Just get out of here!"

"Hah, too late for her," Bella said to Loretta. "She got the eye now. I'll take an almond coffee cake. I want the one in front with the most icing."



Under normal circumstances, at this time of day I would head for the bail bonds office on Hamilton. Unfortunately the bonds office burned down to the ground not so long ago, so for the moment we're operating out of a motor home owned by a guy named Mooner. I've known Mooner for a bunch of years, and he wouldn't be my first choice for landlord, but desperate times call for desperate measures. My cousin Vinnie needed to find a place with cheap rent, and Mooner needed gas and burrito money. Voil�! A mobile bail bonds office. Problem is I never know exactly where the office is parked.

I drove down Hamilton and cruised past the lot that had been the site of the original office. Mooner's bus was there. There was a construction trailer parked at the curb behind Mooner's bus, the charred rubble had been carted away, and there were stakes stuck into the dirt. Vincent Plum Bail Bonds was in rebuilding mode.

It was Monday morning and business as usual, except today there were two cop cars, Joe Morelli's green SUV, and the medical examiner's meat wagon parked at odd angles around the construction trailer and Mooner's bus. Four uniformed cops, Morelli, the M.E., my cousin Vinnie, the bail bonds office manager, Connie Rosolli, and Mooner were all standing in front of a small backhoe, looking into a shallow_pit.

I've known Morelli all my life, and he's one of those men who gets better with age. He was a handsome, reckless, heartbreaker in high school. He's even more handsome now that his face shows some character and maturity. He's lean and muscular with black hair waving over the top of his ears and along the nape of his neck. His brown eyes are sharp and assessing when he's working. They soften when he's aroused. He's a Trenton plainclothes cop, and he was wearing jeans and boots and a blue buttoned-down shirt with his gun clipped to his belt. This was in sharp contrast to my cousin Vinnie, who is four inches shorter than Morelli and looks like a weasel with slicked-back hair and pointy- toed shoes.

I parked behind Morelli's SUV and joined the group.

"What are we looking at?" I asked Morelli.

"I'm guessing Lou Dugan," he said.

A half-rotted hand was poking out of the disturbed dirt, and not far from the hand was something that might be part of a skull. I see a lot of bad things in my job, but this was right up there at the top of the Gonna Gork Meter.

TWO

Why do you THINK it's Lou Dugan?" the M.E. asked Morelli.

Morelli pointed to the hand. "Pinky ring. Diamonds and rubies. Dugan was at the pancake supper at St. Joaquin's, told Manny Kruger he was going home, and that was the last anyone saw him."

Lou Dugan wasn't without enemies. He ran a topless titty bar downtown, and it was common knowledge that the women went way beyond lap dances. He was a flamboyant pillar of the community, and I'd heard he could be ruthless in his business dealings.

We all looked back at the grisly hand with the pinky ring.

"Okay, run the crime scene tape," the M.E. said to one of the uniforms. "And get the state lab out here to exhume the body. Someone's going to have to stay on the scene until the state takes over. I don't want a screwup."

"Awesome," Mooner said. "This is like CSI: Trenton."

Mooner has shoulder-length brown hair, parted in the middle. He's slim and built loosey-goosey. He's my age. He's a nice guy. And his head is for the most part empty since his brain got fried on drugs in high school and never totally regenerated.

"I'm not paying for special-duty cops," Vinnie said. "This isn't my bad. Dugan got himself planted at the back of the lot, under where the garbage cans used to sit. Seems to me that's city property. This isn't gonna hold up construction, is it? They were supposed to start pouring foundation this week. I'm renting bogus office space from Scooby Doo here. Every extra day is a fork in my eye."

Truth is Vinnie wasn't in a good spot. He was on thin ice with his wife, Lucille, and his father-in-law, Harry the Hammer. Vinnie and Lucille were newly reconciled from a nasty split, and Lucille was keeping her thumb on Vinnie's doodles. Even worse, at Lucille's request, Harry had agreed to go back into the bail bonds business and finance Vinnie's operation. And Harry had his boot on Vinnie's doodles. So needless to say Vinnie was walking very carefully to avoid intense pain.

A red Firebird pulled in, double-parked next to my car, and Lula got out. Lula is supposed to do filing for the office, but she pretty much does whatever she wants. She was a blond today, her curly yellow hair contrasting nicely with her brown skin and her leopard print, spandex wrap dress. Her 5' 5" body is plus size, but Lula enjoys testing the limits of seam and fabric, squishing herself into size 2 petite.

"What's going on here?" Lula wanted to know, sinking into the dirt in her four-inch Via Spiga stilettos. "This office-in-a-bus is a pain in the behind. I never know where anybody is. And nobody's answering their cell phone. How the heck am I supposed to work like this?"

"You don't work anyway," Vinnie said.

Lula leaned forward, hands on hips. "That's a disrespectful attitude, and I don't tolerate no disrespect. I gotta work just to find your stupid office-on-wheels." Her eyes moved to the pit and locked onto the hand. "What's that? Are we getting ready for Halloween? This gonna be some kind of scary trick-or-treat place?"

"We're thinking it's Lou Dugan," I said. "The backhoe accidentally dug him up."

Lula's eyes about popped out of her head. "Are you shitting me? Lou Dugan? Mr. Titty?"

"Yeah."

"That's disgustin'. Is there something attached to that hand? If there is I don't want to know about it. Dead people give me the creeps. I might need fried chicken to take my mind off all this now. And anyways, what the heck was Mr. Titty doing under the bonds office?"

"Technically he was under the garbage cans," Vinnie said.

"Let me get this straight. Some idiot dug a hole instead of throwing the body in the river or the landfill," Lula said. "And they left the ring on his finger. What's with that? That ring's worth something. This here must have been a amateur job."

Everyone stood silent. Lula was right. This wasn't the way things were done in Trenton.

I turned to Morelli. "Did you catch this case?"

"Yep," he said. "Lucky me." His eyes dropped to my chest, and he leaned close, his lips brushing my ear. "You're looking sexy today. I like this red shirt you're wearing."

I appreciated the compliment, but truth is Morelli thinks everything I wear is sexy. Morelli has testosterone oozing out of every pore.

"I'm going back to the bus," Connie said. "I have new cases to process."

"Where's the bus goin' next?" Lula asked. "I gotta get some chicken to settle my nerves, and then I might stop in to do some filing or something."

"The bus is staying here," Vinnie said. "I'm supposed to meet with the contractor this morning and go over some plans."

"That's a bad idea," Lula said. "There's probably all kinds of nasty juju leakin' out of that decayin' carcass. You hang around and you could catch something."

Mooner went white. "Dude."

Morelli wrapped an arm around me and moved me to my car. "I'll buy you dinner tonight if you promise to wear this red top."

"And if I don't wear the red top?"

"I'll buy you dinner anyway." He opened the passenger-side door, removed the bakery box, and looked inside. "This isn't your usual selection. You never get blueberry."

"Loretta was in a hurry. It was a free sample, sort of."

Morelli took the blueberry for a test drive, and I ate the Boston cream.

"Do you think Lou's leaking bad juju?" I asked him.

"No more than he leaked it when he was alive." Morelli finished off his doughnut and kissed me. "Mmm," he said. "You taste like chocolate. I have to go back to the station to do paperwork now, but I'll pick you up at five thirty."


From the Hardcover edition.

Most helpful customer reviews

1800 of 1866 people found the following review helpful.
I've had enough, nothing ever changes, and it never will
By ERP
Posted at [...]
You don't know me. I'm a fan of your work, have been for years. I have gotten many friends and family hooked on Stephanie, Joe, Ranger and Lula. I had every one of your books. I love your work with Charlotte Hughes and the Full Series. I have laughed and teared up, I have giggled and gasped for years, but it's time I stand up and shout.

Your last three Stephanie Plum Novels have left me feeling cheated. With each new installment I hope for more. But I get the same old antics. I read a recent interview with you, in which you say that when an author finds a winning formula, to stick with it and milk it for all it's worth. I take issue with this. How can an author expect their fans to keep buying a novel with the same plots, same games, same lines, same everything? The books seem to be getting shorter, the font larger, and the quality poorer, all with a hardcover price. I used to recommend your books to all who would listen, but now? I shy away and that sucks!

In your latest installment of the Stephanie Plum Series, Stephanie turns into a Hoochie. I'm sorry to say it. I don't like the word, I don't like the meaning, but it's what you turned her into. I didn't mind so much previously when she would steal a few kisses here and there between Ranger and Joe (and hell Diesel) but having her sleep with both men, in the same book, on back to back nights is just shameful. Gramma Bella SHOULD put the eye on her! Joe SHOULD dump her, so should Ranger. So what, now that Joe and Stephanie have an 'open' relationship they can sleep with whomever they want, whenever they want, and each other? Yuck. I was a Joe fan in the beginning of the series, but then he turned rather chauvinistic, spouting how she should be barefoot and pregnant and not working, and that got my feminist hackles all up and pissy. I've always been a Ranger girl, but I can't understand how he can still be around playing for scraps. Is her vagina magic? Are you gearing up to make her like Anita Blake? Because if So, please for the love of books don't!!!

Characters need growth in a series. Stephanie has not grown, in fact I could argue that she has regressed. After seventeen books, she STILL can't shoot her gun, she can't use handcuffs, she blows up cars, and has no desire to learn self defense. I'm sorry, but she's an idiot. And not a funny one anymore.

To me, and I know that I am not alone, Stephanie used to be a source of comic relief. She made me laugh and took me out of the seriousness of my life or other more suspenseful books I was reading at the time. But she's no longer funny, she's a joke.

If you are tired of writing her, then please stop.
If you think your fans will stop reading if she chooses to stay with ONE of the men, they won't.
If you are doing this for the money, I'm sorry.
I won't be buying anymore of your novels.

If this alienates me in the book blogging world, so be it. I can't stand it anymore. I've held my council for the last three books and I can't do it anymore. It's my opinion, but I am not alone. I implore you to see reason. Please go back to writing meaningfully. Make Stephanie grow up a bit. Make her see that she has to learn.

I hate to see her the way she is. I hope you have a plan. I pray to the editors that you have a plan. Please don't string us along. Don't make us hate her. We fans, and Stephanie as well, deserve better than what you are giving us.

534 of 563 people found the following review helpful.
Another Disappointing Plum Book...
By Booklover848
I was horribly disappointed in books 13 - 16 and I wasn't going to buy 17 but I saw some decent reviews as well as the mention of Steph/Ranger sex and I caved. Is this book better than 13 -16 - Yes. Is it good? No. This book feels forced and completely disjointed. I don't believe it was written by JE or at least not completely and many of the characters are, once again, out of character. Grandma is tame, Ranger is devoid of personality and Morelli is resigned.

I love Ranger, I'm thrilled we got some S/R loving and I would like to see what would happen with a Steph/Ranger pairing. Morelli has always made it clear that he hates Steph bounty hunting and wants her to settle down and be a good Burg wife regardless of what she wants. If Steph ends up with Morelli then JE needs to end the series because no one wants to read about Steph learning to make pot roast. At some point she needs to make a decision. It would have been nice to see Steph actually struggle with choosing one of her men but instead she has sex with both of them and believes she is doing it because of a curse put on her by Bella. Pathetic. Why can't JE have Steph grow up a little, get some skills, look at her life and really consider whether she wants to be Morelli's Burg wife or Ranger's Wonder Woman?

Instead JE keeps doing these idiotic and repetitive plots and in this book...the characters don't feel real. There was no connection between Steph and Morelli, little connection between Steph and Ranger and the concept of Steph starting to sleep with Ranger again out of the clear blue after all these years was never addressed. Even the dynamic between Steph and Lula was off. The early Stephanie we all fell in love with is gone and in her place is this poorly written caricature. The whole book just felt wrong. And lazy. What's the point in having a killer when you make his identity obvious almost from the beginning? I don't know what I'll do about 18....other than hope JE fires Alex and her other ghostwriters and writes it herself! Or goes out to Fanfiction and hires a ghost who truly loves the series!

256 of 280 people found the following review helpful.
Tired plots? Check.
By C. Crabtree
Let's see:

Stephanie blows up a car? Check.

Grandma ruins a funeral? Check.

Stephanie can't decide between two men? Check.

Poor grammar and inexcusably poor editing? Check.

Another disappointing effort by JE that leaves those of us who purchased yet another lame book hating ourselves for doing so? Check.

JE laughing all the way to the bank? Check.

My deciding to finally drop the series after all of these years and finally feeling okay about it? Check,,

JE, you should be ashamed of putting your name on this crap.

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Senin, 09 September 2013

[D946.Ebook] Download PDF City at the Center of the World: Space, History, and Modernity in Quito (Pitt Latin American Series), by Ernesto Capello

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City at the Center of the World: Space, History, and Modernity in Quito (Pitt Latin American Series), by Ernesto Capello

In the seventeenth century, local Jesuits and Franciscans imagined Quito as the “new Rome.” It was the site of miracles and home of saintly inhabitants, the origin of crusades into the surrounding wilderness, and the purveyor of civilization to the entire region. By the early twentieth century, elites envisioned the city as the heart of a modern, advanced society—poised at the physical and metaphysical centers of the world.
��� In this original cultural history, Ernesto Capello analyzes the formation of memory, myth, and modernity through the eyes of Quito’s diverse populations. By employing Mikhail Bakhtin’s concept of chronotopes, Capello views the configuration of time and space in narratives that defined Quito’s identity and its place in the world. He explores the proliferation of these imaginings in architecture, museums, monuments, tourism, art, urban planning, literature, religion, indigenous rights, and politics. To Capello, these tropes began to crystallize at the end of the nineteenth century, serving as a tool for distinct groups who laid claim to history for economic or political gain during the upheavals of modernism.
����� As Capello reveals, Quito’s society and its stories mutually constituted each other. In the process of both destroying and renewing elements of the past, each chronotope fed and perpetuated itself. Modern Quito thus emerged at the crux of Hispanism and Liberalism, as an independent global society struggling to keep the memory of its colonial and indigenous roots alive.

  • Sales Rank: #1948806 in Books
  • Published on: 2011-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .80" w x 6.00" l, 1.00 pounds
  • Binding: Paperback
  • 312 pages

Review

“City at the Center of the World explores the emergence of Quito, Ecuador, as a modern national capital. Capello’s elegantly written and well-organized study examines strategic moments in the city’s history in relation to their colonial past and regional contexts as city elites and indigenous communities worked to reshape ‘traditional’ historical discourses and city spaces to craft a modern capital to their respective advantage.”
—Mark Overmyer-Vel�zquez, University of Connecticut



“In this highly original book, Capello examines the city of Quito on both sides of the twentieth century. He reveals an evolving city and a city in crisis, a former colonial capital torn between alleged Hispanic traditions and long-suppressed indigenous aspirations, uncertain of its survival, yet proud of its past glory. Marshaling an astonishing array of written, visual, and architectonic sources, Capello traces Quito’s painful transition to Liberal-inspired modernity. This book will no doubt inspire new approaches to urban studies in the Americas and beyond.”
—Kris Lane, Tulane University



“Rests on a robust archive. It draws together diverse elements of history-making—including cartography, urban design, architecture, literature, and photography—to reveal the complex socio-political patterns that sustained Quito’s national position over time.”

—A Contra corriente



“A thoughtfully researched cultural history that explores master narratives, or chronotopes, constructed by Quiteno elite from the 1880s through the 1940s, a period of rising modernization and consolidation of the nation state. Capello uses a wide range of sources, drawing on archival documents, visual images, literature, and architecture. “

—American Historical Review



”What is most striking about the book is how very well the author identifies and situates the social actors he is studying. . . . Full of insights that will fascinate and enrich the work of scholars of Ecuador, but it will also be of interest to those engaged with urban history in Latin America and elsewhere, as well as those exploring memory, history, and the politics of the past. It also will challenge scholars at all stages of their careers to consider new methodological paths to illuminate politics, imaginaries, perceptions, and experience in Latin American urban spaces.”

—Hispanic American Historical Review

About the Author

Ernesto Capello is assistant professor of history at Macalester College.

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Minggu, 08 September 2013

[T299.Ebook] Free PDF Taking South Park SeriouslyFrom State University of New York Press

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Taking South Park SeriouslyFrom State University of New York Press

Since it came on the air in 1997, Comedy Central's top-rated animated program, South Park, has been criticized for its crude, scatological humor and political insensitivity. However, the program also fearlessly wades into the morass of American political life as it tackles and satirizes all American sacred cows, including "political correctness," the value of celebrities, ideas about childhood, and the role of religion in American life. In the process, South Park raises provocative and timely questions about politics, identity, and the media's influence in shaping American thinking.
Taking South Park Seriously brings together scholars who explore the broader implications of South Park's immense popularity by examining the program's politics, aesthetics, and cultural impact. Topics covered include the pleasures of watching the show, South Park's relationship to other animated programs, and the program's representations of racial and ethnic minorities, the disabled, celebrities, children, religion, and education. This book will be of interest not only to communications and cultural studies scholars, but to anyone who has ever laughed along with Cartman, Stan, Kyle, and Kenny.

  • Sales Rank: #8138815 in Books
  • Published on: 2008-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .80" w x 6.10" l, 1.05 pounds
  • Binding: Hardcover
  • 254 pages

Review
This collection is sure to get South Park fans thinking a little deeper. The articles are both well written and readable. You know, I think I learned something today! Robert Arp, editor of South Park and Philosophy: You Know, I Learned Something Today
This book is a serious and thoughtful effort at a scholarly analysis of South Park, and it makes an important contribution in beginning a scholarly dialogue on this influential and often controversial show. John Alberti, author of Leaving Springfield: The Simpsons and the Possibility of Oppositional Culture"

"This collection is sure to get South Park fans thinking a little deeper. The articles are both well written and readable. You know, I think I learned something today!" -- Robert Arp, editor of South Park and Philosophy: You Know, I Learned Something Today
"This book is a serious and thoughtful effort at a scholarly analysis of South Park, and it makes an important contribution in beginning a scholarly dialogue on this influential and often controversial show." -- John Alberti, author of Leaving Springfield: The Simpsons and the Possibility of Oppositional Culture

From the Back Cover
Since it came on the air in 1997, Comedy Central's top-rated animated program, South Park, has been criticized for its crude, scatological humor and political insensitivity. However, the program also fearlessly wades into the morass of American political life as it tackles and satirizes all American sacred cows, including "political correctness," the value of celebrities, ideas about childhood, and the role of religion in American life. In the process, South Park raises provocative and timely questions about politics, identity, and the media's influence in shaping American thinking.

Taking South Park Seriously brings together scholars who explore the broader implications of South Park's immense popularity by examining the program's politics, aesthetics, and cultural impact. Topics covered include the pleasures of watching the show, South Park's relationship to other animated programs, and the program's representations of racial and ethnic minorities, the disabled, celebrities, children, religion, and education. This book will be of interest not only to communications and cultural studies scholars, but to anyone who has ever laughed along with Cartman, Stan, Kyle, and Kenny.

"This collection is sure to get South Park fans thinking a little deeper. The articles are both well written and readable. You know, I think I learned something today!" -- Robert Arp, editor of South Park and Philosophy: You Know, I Learned Something Today

"This book is a serious and thoughtful effort at a scholarly analysis of South Park, and it makes an important contribution in beginning a scholarly dialogue on this influential and often controversial show." -- John Alberti, author of Leaving Springfield: The Simpsons and the Possibility of Oppositional Culture

Contributors include Matt Becker, Jason Boyd, Lindsay Coleman, Michael W. DeLashmutt, Randall Fallows, Stephen Groening, Alison Halsall, Brannon Hancock, Brian L. Ott, Marc R. Plamondon, James Rennie, Robert Samuels, Damion Sturm, and Jeffrey Andrew Weinstock.

About the Author

Jeffrey Andrew Weinstock is Associate Professor of English at Central Michigan University and the author of several books, including The Rocky Horror Picture Show and Spectral America: Phantoms and the National Imagination.

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1 of 10 people found the following review helpful.
present
By Carolynn S
Husband love southpark and wanted this book. It arrived quickly and he seemed to really like it. Buy it if you like south park

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Senin, 02 September 2013

[U325.Ebook] PDF Ebook The Roving Shadows (The French List), by Pascal Quignard

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There are few if any voices more distinct in contemporary French literature than that of Pascal Quignard, a prolific writer of rare erudition and elegance. Essayist, critic, translator, novelist and musician, Quignard attempts here an ambitious amalgam of his many artistic styles in a fragmentary work that defies the idea of genre. And his daring was rewarded in 2002 when The Roving Shadows became the first non-novel in more than sixty years to win the Goncourt Prize, France’s most prestigious literary award.�The first book in Quignard’s Last Kingdom series, The Roving Shadows can be read as a long meditation on reading and writing that strives to situate these otherwise innocuous activities in a profound relationship to sex and death. Writing and reading can in fact be linked to our animal natures and artistic strivings, to primal forces and culturally persistent fascinations. With dexterity and inventiveness, Quignard weaves together historical anecdotes, folktales from the East and West, fragments of myth, and speculative historical reconstructions. The whole, written in a musical style not far removed from that of Couperin, whose piano composition Les Ombres errantes lends the book its title, coheres into a work of literature that reverberates in the psyche long after one has laid it down.�The Roving Shadows is a rare and wondrous tour de force that cements Quignard’s reputation in contemporary world literature. Available now for the first time in English, this boldly adventurous work will find a new and welcoming audience.�

  • Sales Rank: #1179415 in Books
  • Published on: 2012-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.00" w x 5.00" l, .90 pounds
  • Binding: Hardcover
  • 240 pages

About the Author
Pascal Quignard is the author of over sixty books, including Le Salon du Wurtemberg, Les Escaliers de Chambord, and Sex and Terror, the last also published by Seagull Books. He is widely regarded as one of the most important living writers in French. Chris Turner is a writer and translator who lives in Birmingham, England.

Most helpful customer reviews

10 of 12 people found the following review helpful.
Haunting Brilliance
By D. J Penick
This is an utterly compelling sequence of penetrating insights and luminous images but has, nonetheless, the feeling of a deep and elusive narrative.

Here's a quote:

"To set the lost afire with loss - this, properly speaking, is what it is to read...

Re-finding the dawn absolutely everywhere is a way of living. " (pp.158-9)

It is an extraordinary book

See all 1 customer reviews...

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