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Winner of the 2007 National Book Critics Circle Award for Criticism
A New York Times Book Review Top Ten Book of the Year
Time magazine Top Ten Nonfiction Book of 2007
Newsweek Favorite Books of 2007
A Washington Post Book World Best Book of 2007
In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
- Sales Rank: #68546 in Books
- Published on: 2008-10-14
- Released on: 2008-10-14
- Original language: English
- Number of items: 1
- Dimensions: 8.26" h x 1.28" w x 5.52" l, 1.58 pounds
- Binding: Paperback
- 720 pages
Most helpful customer reviews
2 of 2 people found the following review helpful.
The Rest is Noise, a Companion
By Irwin H. Moss
Simply put this may be the best survey of 20th Century music I have read. It is lucid, colorful and certainly entertaining. I read Ross in the New Yorker so I was all the more surprised and delighted to find him more expansive and colorful than that which appears in his column. Here he takes time (and space) to introduce and transit one from one section to another, as does Sibelius in my opinion.
Ross disclosed no composer whose name was unfamiliar to me until he got into Ligeti et al. My mind is open but alas my ears are not.
I am not a musician so I cannot comment on his detailed musical analysis of the various pieces in which he explored technical matters; I simply skipped those. I read all else to my great pleasure. He never fails to add to my knowledge and therefor enjoyment of music I listen to.
Highly recommended with one caveat: He gives to short shrift to most 20th century British composers of the pre and immediate post WWII era. Britten may be all fine and good for some, I am not one of those. Ross' virtually passing over RVW is shocking and more than annoying to me.
Still, it is his book. I feel I can comment on what he offers us. I don't feel I can criticize that which he doesn't offer.
My nose grows longer: He passed Elgar as though he never lived. I am not fond of him but he is not to be ignored.
6 of 6 people found the following review helpful.
All the rest is noise
By slipper maven
I love Bach, Mozart, Beethoven, even Mahler. But anything beyond that, well, to me it has been just noise. However, Alex Ross's book has helped me to listen in a different way. It takes a long time to work through this book because when Ross talks about this or that composer, this or that piece, I have to stop and find the music (usually at my public library) and listen several times to get what Ross is saying, and then I can listen with more insight (insound?). The historical background is fascinating. The political control in music (e.g., Stalin's effect on Russian composers)is an important part of this book. The subtitle highlights Ross's emphasis on how music tells us something about history. I now understand better the physics of sound and the physical effect that music has on the listener. Ross has a list of recommended recordings which I turn to from time to time. I still do not get Messiaen! This books points the reader in many new directions, opens the reader to other options. It's a great read!
0 of 0 people found the following review helpful.
Cacophony in Context
By Peter Holm
A fascinating and well-written guide to what on earth these guys thought they were doing. Cries out for interactivity; if only you could hear excerpts as they were described. Ross' ability to put his subjective experiences of these musics into words gives an inkling, to those of us who like tunes, what else might be listened for when tunes are banished.
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